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Atelier de deuxième année dirigé par Reynaldo Ramperssad

avec la collaboration de Benjamin Kahn

et Oswaldo Hernandez

Du 12 au 14 Février 2015 à 20h30 et le 15 Février 2015 à 15h00

Auditorium Jacques Brel – Campus du Céria

rue Emile Gryzon, 1 – 1070 Bruxelles

Folk est un projet sur le réel, la dérision et l’action essentielle.
Artistes et spectateurs investissent ensemble l’espace vide et la « cérémonie » peut commencer. L’agrès devient le totem adoré, l’axe central de la célébration. Les divinités sont convoquées et ouvrent la porte à la transe et à la suspension.
Le taureau et le catcheur plongent dans une danse effrénée. Magie du geste au cœur de l’action circassienne.

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Avec : Sergio Alvarez Pardo, Diego Arias Guirles, Joris Baltz, Josefina Castro Pereyra Soler,Oscar de Nova de la Fuente Laureline Dubois, Erik Glas, Anna Katharina Herkt, Julietta Martin, Audrey Minaud, Sergio Ortiz Cabrera, Guillermo Pastor Lopez Beltran, Johan Sjolund, Hanan Vandenberghe, Violette Wauters, Léah Wolff, Juho Yrjola

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Un spectacle mis en scène par Claudio Stellato et Nicanor de Elia avec les étudiants de troisième année de l’Ecole Supérieure des Arts du Cirque de Bruxelles

Du 10 au 12 décembre 2015 à 20h30 et le 13 décembre à 16h

Bang! s’annonce comme une suite de brèves séquences, sans fil conducteur autre que les corps des interprètes, poussés à bout. Etats-limites, sollicitations physiques démesurées, impératifs d’actions contradictoires, sont les maîtres-mots de ces actes à la frontière de la performance. Pour tenter de produire, dans une dramaturgie émanant du corps, toute en oppositions de force et de fragilité, de résistance et de reddition, d’endurance et d’épuisement, un burlesque de l’extrême, un humour (forcément un peu noir) de l’identité malmenée.

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Avec : Sergio Alvarez Pardo, Diego Arias Guirles, Joris Baltz, Josefina Castro Pereyra Soler, Oscar de Nova de la Fuente, Laureline Dubois, Julieta Martin, Audrey Minaud, Sergio Ortiz Cabrera, Guillermo Pastor Lopez Beltran, Hanan Vandenberghe, Violette Wauters, Léah Wolff, Juho Yrjola

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Qu’est-ce qui ressemble plus à une école de cirque qu’une école de cirque? Ces morphologies similaires, ces mêmes tapis, ces couleurs semblables… Nous faisons tous le même métier, mais nos institutions et écoles sont bel et bien différentes. Nos identités sont définies et mouvantes – comment d’ailleurs pourrait-il en être autrement si nous voulons rester à l’écoute de la création ? Être à l’écoute de notre temps, en phase avec l’émergence de notre secteur, nous force, fort heureusement, à la remise en question, et à l’ajustement continuels de nos programmes.
Aussi, plutôt que de nous figer dans une publication informative qui deviendrait vite obsolète, nous avons opté pour un aperçu momentané en triptyque, une sorte de retable, afin de faire ressentir les couleurs et les sensations qui nous animent, dans notre passion à transmettre le cirque, ses valeurs et ses formes éclectiques.
Le travail d’écriture confié à Pauline de la Boulaye est une fiction ancrée dans notre réel, une interprétation inversée de nos réalités, comme notre image dans un miroir.
Au-delà de ce retable, ce sont nos diplômés qui restent nos meilleurs ambassadeurs. Les champs artistiques dans lesquels ils évoluent couvrent de vastes territoires, aux différents possibles d’étonnements et d’esthétiques. C’est sur eux et pour eux que nous travaillons.
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Du 27 au 30 mai 2015 à 20h00 le 31 mai 2015 à 15h00

Halles de Schaerbeek  , rue Royale Sainte-Marie, 22 à 1030 Bruxelles

EXIT est l’ultime étape de la formation des étudiants de dernière année. Sous la forme d’une suite de numéros, des propositions engagées des étudiants témoignent de la créativité d’un secteur en plein essor. Chaque acte circassien allie une démarche artistique singulière à la plus haute technicité.

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Avec: Jean-Baptiste André, Viola Baroncelli, José Maria Godoy Cazares, Cristian Forero Posada, Lucia Granelli, Moa Karlsson, Toivo Kautto, Robin Leo, Jimmy Lozano Oyola, Manuel Martinez Silva, Liisa Naykki, Diego Ruiz Moreno, Rosa-Marie Schmid , Lucas Zileri Mateos.

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ONU mis de lunettes en scène par Fatou Traoré Avec Les Étudiants de Troisième année de l’école supérieure des arts du cirque – Bruxelles

Ce est maintenant Est invitation juin à suspendre Le Temps, à regarder, à sentir l’espace à PUIS Se mettre en jeu. Poser les agrès au sol et compositeur. A la Recherche d’une harmonie, Faite de rythmes et de couleurs, De respirations et de corps en apnée, La Page blanche se remplit Peu à Peu, des images apparaissent et se dissolvant Dans un chaos Ordonné. Une traversée du Nord au Sud, au rythme des chants du Chœur de Pashiva, mélant écriture additionnelle et performance.

Avec : Jean – Baptiste André, Maria José Godoy Cazares, Cristian Forero Posada, Lucie Granelli, Toivo Kautto, Robin Leo, Jimmy Lozano, Manuel Martinez Silva, Liisa Naykki, Diego Ruiz Moreno, Rosa – Marie Schmid, Lucas Zileri Mateos, Viola Baroncelli , Moa Karlson

Musique interprétée en direct par: le Choeur de Patshiva cie / Axel Gilain / Claudio Girard – Dounia Depoorter: assistante musicale – Philippe Baste: Lumière – images d’exposition: Brune Campos

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Après une semaine de résidence à Marchin, les étudiants de deuxième année de l’ESAC créeront sous la direction d’Angel Ramos Sanchez différentes petites formes dans les coins et recoins de Latitude 50.

Les arts du cirque vivent une révolution permanente à travers leur métissage avec les autres arts de la scène. Ce renouvellement en constante progression a fait émerger de nombreuses créations et spectacles qui ont conféré leurs lettres de noblesse aux arts du cirque et ont contribué à leur reconnaissance comme arts de la scène à part entière. C’est cette reconnaissance qui a mené à la création d’un un enseignement supérieur pour former les artistes du futur… L’Ecole Supérieure des Arts du Cirque de Bruxelles est aujourd’hui  l’une des  grandes écoles supérieures qui dans le monde dispensent une formation diplômante. tadalafil generic. buy cialis online. how to get viagra without a prescription

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Fini les chapiteaux délavés plantés sur les parkings et terrains vagues en périphérie des grandes villes. Aujourd’hui, le cirque fanfaronne sur les grandes scènes nationales, en invité de luxe faisant courir les foules. Attention, on ne parle pas ici des cirques traditionnels façon Bouglione mais d’un cirque contemporain qui opère sa mue depuis plusieurs décennies et récolte aujourd’hui les fruits d’une démarche curieuse, chercheuse, écartant sans cesse ses propres limites… Les journalistes sont unanimes : c’est dans le monde du cirque que ça bouge désormais.
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VEN 14 Novembre 2014 à 20h30

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posté le 16-03-2014




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